Master
Storyteller:
The powerful effect of the
chapel lies more than anything in Giotto’s narrative skill. He laid out the chosen scenes in
chronological sequence, beginning at the top of the walls with the lives of
Mary’s mother and father, Anna and
Joachim, and the Virgin’s early life.
The earthly life of Jesus is depicted along the central tier, finishing
with the Passion cycle and Resurrection.
Giotto also placed thematically related scenes above and below each
other: the miracle of Jesus raising Lazarus from the dead, for example, is
above the resurrection of Christ, the first scene foreshadowing the second.
Selecting the key moment in
each story – the reaction to a miracle, Judas’s betrayal of Jesus with a kiss –
Giotto imagined how the characters must have acted and felt, and represented
the emotion of the story through their facial expressions, physical gestures
and postures. In the lamentation,
Jesus’s followers wring their hands, their faces tense with grief, as Mary
holds the body of her dead son. Elements
such as folds in clothing, horizon lines, looks and gestures direct the
viewer’s attention to the central event.
Giotto’s innovative use of light and shade to model solid figures, and
the diagonal lines to create depth, added realism, as did the contemporary
styles of dress and architecture, all helping to draw viewers into the drama
unfolding on the walls around them.
The art of storytelling:
Giotto’s innovative style was an instant hit with visitors to the chapel, striking an emotional chord as well as an aesthetic one. He laid out the story in almost cinematic style.


Comments
Post a Comment